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Blue Mandolin

by Phil Lawrence Mandolin

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1.
Hawaii High 04:04
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On the night the devil escaped from hell the winds began to howl; the fire danced, the smoke swirled, The air was black and foul. When the flames began to lick the trees, They trembled and they burned; The sparks flew wide, the fire spread, Then it twisted and it turned. Now the devil's child leapt and cried With sinister delight, While families slept, inside their homes, And Fire ruled the night. The conflagration raced down hill And trampled through the town. The sirens screamed, as brimstone rained On rooftops all around. Now the bellow-winds cracked their cheeks And Fury whipped the flames. Terror shrieked, as people ran, Desperate to be saved. In the darkness and the reddish glow They panicked and they fled, While all around, the monster grew, And Fire reaped the dead. When the morning dimmed, an acrid smoke Arose and choked the Earth. Like blackened snow, the ashes fell; As if the land were cursed. When the seventh day had come and gone The rain began to fall, The fire died; we looked around— There was nothing left at all. Among the dead and badly burned The Devil growled and grinned. He’d had his feast; he’d come to glut; Then he withered with the wind. And where was God in all of this? Asleep, awake, or bored? As the devil rampaged on the earth And Hell began to roar.
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Elegy 04:58
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Santa Lucia 02:26

about

“Blue Mandolin” is an acoustic Americana jazz/folk collection of ten mostly instrumental compositions by Phil Lawrence. The recordings feature the mandolin and guitar playing of Phil Lawrence with contributions from guest musicians on guitar, violin, upright bass, lap steel, piano, cello, vocals, and a number of other novelty instruments. There are two songs—a fast paced Irish-style ballad (lyrics by Phil and music and vocals by Michael Rofkar); and a gospel song featuring Sylvia Tepper (Mother Earth Band with Tracy Nelson) on vocals and keyboards. The eight instrumental numbers begin with “Hawaii High,” a swing/jazz piece with Dave Zirbel (Commander Cody) on the lap steel guitar. “Blue Mandolin” and “Devorah's Tune” feature the innovative guitar playing of Ian Lubar. “Song for Sohl” is a bluesy uptempo instrumental in a minor key in which Phil Lawrence plays the mandolin and guitar parts. “Limehouse Blues” is a jazz standard from the Django Reinhardt repertoire. “The Fires of '17” tells the story of the devastating fires that ravaged Sonoma County and Santa Rosa in 2017. “The Brooklyn Rag,” a bluegrass/ragtime composition, was originally recorded in 1983 at John Blakeley Studio in San Francisco. It has been remastered and enhanced at Studio E in Sebastopol. “Elegy” features Valerie Marshall on cello, and Sonia Tubridy on the grand piano, both of whom are classical musicians. “Santa Lucia” is a traditional Sicilian folk song, here recorded as an instrumental with twin mandolins in harmony and Eddie Guthman on upright bass.

All the tunes were recorded, mixed, and edited by Phil Lawrence at Mandolinimal Studios except for “The Brooklyn Rag” which was recorded by John Blakeley at John Blakeley Studio in San Francisco, and “The Fires of '17,” which was recorded by Harry Gale at Route 44 Studio in Sebastopol, California. The recording was mastered at Studio E in Sebastopol by Jeff Martin and Jason Andrews.

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released July 31, 2021

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Phil Lawrence Mandolin San Francisco, California

Phil Lawrence plays all different styles of music: bluegrass, folk, rock, jazz, reggae, and even klezmer. He produces independent recordings of his original compositions. In 2004 worked with David Grisman as an assistant instructor at The Mandolin Symposium where he performed on stage with Chris Thile. He performs with It's A Beautiful Day Acoustic, featuring David LaFlamme on violin. ... more

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